Poet of Jazz


Balancing Act

Pursuing your passions can be difficult. When you have so much to do and so little time to do everything you would like to, you often feel overwhelmed, frustrated, and stressed. Working full time affords me only nights and weekends to do everything necessary to get my poetry, singing, and freelance journalism careers in order and on track. It is a challenging balancing act. What makes everything more difficult is that I am a perfectionist so I strive to produce work that is only the best. This drive for excellence is the reason I do not produce as much creative, literary, and musical work as I would like to. However, my drive for excellence ensures that most of whatever I do create is a success.

One solution to relieving the stress created by a self-imposed drive to achieve success is to select fewer goals. In the six months since my previous post I have chosen to focus entirely on my singing and poetry careers while actively seeking out professional development opportunities at work. As a result, I have not written any articles for journals and even had to turn down a Content Editor position with Theatre People. However, my decision has enabled me to satisfy my desire for poetic and singing success while still managing to up-skill at work. Nevertheless, pursuing three passions is still a lot of work and, admittedly, reducing the number of goals I pursue has not freed me from stress. I still often feel overwhelmed by the seemingly insurmountable list of tasks ahead. Despite that, and to quote Australia’s first female Prime Minister, Julia Gillard, “it has not been an easy time but in this time which wasn’t easy I have prevailed.”

If you are interested in staying motivated and talking about the struggles you face as you try to achieve your goals, you are more than welcome to join me on Facebook or Twitter. I believe that giving positive energy, support, and encouragement to others is one of the foundations of a happy and successful world.

Here are some of the fruits of my hard work these last few months:


Poetry NZ (Auckland) and Lost Coast Review (California) accepted two of my poems, one inspired by my favourite Australian poet Gwen Harwood and the other by Adrienne Rich. These acceptances represent my first international poetry publications. Down Under, journals that have accepted my poems in recent months for publication include Cordite Poetry Review (VIC), Windmills (VIC), Tamba (VIC), Studio (NSW), and SpeedPoets (QLD). Again, at least in terms of journal publication, I seem to be more popular over East than in WA although I did receive notification that a poem of mine was long-listed for publication in Westerly. In terms of publication, I have yet to crack the ACT, NT, and TAS.

“After Midnight,” a poem I have been workshopping since studying at Curtin University was Highly Commended in the Eastwood/Hills Fellowship of Australian Writers literary competition and another poem I developed in my final year at Curtin is due to be published in an anthology called The Stars Like Sand: Australian Speculative Poetry. In terms of poetry competitions, my goal is to keep honing my craft and to keep entering more competitions so I can be as successful as one of my new poet-friends Fran Graham. To achieve this goal I enrolled in three poetry courses/workshops: “The Poem Tells a Story – Workshop with Established Writer-in-Residence Judy Johnson” (along with poetry workshops by Zan Ross and Sue Clennell, Judy’s was one of the best I have ever attended) offered by the Katharine Susannah Prichard Writers Centre, Brook Emery’s “Online Poetry Workshop” (like Ron Pretty’s brilliant online course, this provided excellent constructive feedback and introduced me to another new poet-friend, the delightful Kelly Blaney-Murphy) offered by Australian Poetry, and the “2013-2014 Advanced Poets Workshop” (which had fantastic sessions by Jackson and Andrew Landsdown), offered by the Peter Cowan Writers Centre. Facilitating a poetry workshop is a rewarding experience that I will again have the pleasure to do next month as part of KSP’s Write-a-Rama!


At UWA’s School of Pathology and Laboratory Medicine (PaLM) as part of the New Approaches To Teaching (NATT) team, I have had the tremendous pleasure of helping reinvigorate teaching at the School through our team’s creation of educational e-learning content grounded in constructivist pedagogy. The content we create is founded upon collaborative learning environments and a student-centred approach to teaching. As our Administrative Officer, I have had the pleasure of enhancing my events management skills by helping coordinate the Grand Opening of our newly completed multi-million dollar e-learning suites as well as our School’s involvement in UWA’s biggest Open Day. Besides contributing to the training of staff in using the e-suites and providing in-class assistance, I have had the opportunity to develop my marketing and design skills by creating promotional posters for PaLM. What I am most proud of is the thirty educational laboratory technique videos which I filmed, edited, and narrated, that are now used in UWA classes. In addition, my computer and website development skills have greatly increased through my work updating the PaLM website using MySource Matrix and the creation of a staff community Learning Management Site using Moodle. This work has enabled me to amplify my presentation skills as I was invited to give presentations at UWA’s Teaching and Learning Week eLearning Expo run by the Centre for the Advancement of Teaching and Learning as well as for The Faculty of Architecture, Landscape, and Visual Arts, the university’s Safety Committee, and at a Human Resources Management Committee meeting after which I was proud to accept a Certificate of Appreciation.


Mint Jazz Band and I put on our second show at The Ellington Jazz Club and our first at the Subiaco Arts Centre for the City of Subiaco’s Sunday@Subi concert series. The excitement for the Ellington show began with my first appearance in The West Australian as a jazz artist. Budding Italian filmmaker Enrico del Gamba recorded the show and local Asian-Australian photographer Michael Walker captured some great publicity shots. The Ellington appearance led to our band being invited to perform at two really special events, a wedding and a 50th birthday party. Both experiences are precious to me because they meant that the clients loved our show so much that they selected us to be a part of a significant milestone in their lives. It is something I treasure as a singer.

The West Australian 1

The Subiaco Arts Centre show was another amazing experience for me as an entertainer. The venue is one I have been to countless times to see incredible theatre shows so it, like the Ellington venue, allowed me to do what I love best: putting on a show. Super talented Perth actress Rhoda Lopez helped me with ideas for both shows. Once again, the excitement began with an article in a local paper, this time The Post. Rhys Smith joined us on piano as Mark was in China and the show was well received (a beautiful birdie told me that the Mayor of Subiaco said it was one of the best shows they had had as part of Sunday@Subi).

In a wondrous turn of events, I finally got to make my dream come true of being a part of a hip-hop track as a guest artist. The rappers, known as AfroKingz are currently working on a project and I was happy to contribute the chorus for their song “Party Like That.” The collaboration lead me to start on another goal I have been asked to do for years: write an original song. As with “Party Like That,” the song which is tentatively titled “It’s You” is a continuing work-in-progress.

I am still working on Chocolate Blues Band, a project I began in January. The challenge of learning blues and soul classics by Nina Simone, Ray Charles, Aretha Franklin and Sam Cooke has been exhilarating. When I finally get to show you my blues show I think you will like it as much as I have enjoyed working on it. Until then, you can still catch me live with Mint Jazz Band at our first run of gigs at the Naked Fig. Like us on Facebook to stay in touch!

Moving Ahead

All the aspects of my life (poetry, singing, relationships, journalism and work) are progressing wonderfully.


Landscapes: the Journal of the International Centre for Landscape and Language published my poem “Landscape,” We Matter Media published a human rights poem of mine, New South Wales journal Studio accepted my poem Nightfall, and Voiceworks – a journal I have been trying since I was 16 to be published in – finally accepted a poem of mine. It’s called “Matisse’s Blue Nude II.” In December I finished organising guest bookings for Perth Poetry Club but I have not left Perth’s poetry reading scene. The Katharine Susannah Prichard Writers Centre has booked me as an MC for their New Australian Voices open mic festival event on Friday 12 April which will be live streamed from Darlington Hall to launch the festival.


Jake’s Perth Book Club has been revived. Marcus, one of the founding members of the group who moved to Melbourne last year, suggested that I use Meet Up to recruit members and now the book club family includes some new friendly, thoughtful, and worldly members. The novels we’ve read together this year: Kurt Vonnegut Jr.’s “Slaughterhouse Five,” William Faulkner’s “As I Lay Dying,” and now Albert Camus’s “The Fall.” Faulkner’s novel is the one I love the most; it is now among my top favourite books of all time.


Express Media selected me to be one of the Buzzcuts reviewers for the 2013 Perth Fringe Festival. Of the four shows I reviewed, those by Movin’ Melvin Brown and the Darling Buds of May were the highlights for me. Buzzcuts gave me the fantastic opportunity to have my reviews published by The West Online. Drum Perth has continued to publish my live gig and CD reviews. I am currently working on another article for MeDeFacts and another Research Info Sheet for The School of Pathology and Laboratory Medicine.


Working as part of the New Approaches To Teaching (NATT) team has been an absolute pleasure. It has taught me so much about e-learning possibilities in tertiary education. Among the work I have produced for the team this year, I am most proud of the instructional laboratory techniques videos I filmed, edited, and narrated as well as a marketing poster I produced to promote the improvements we are hoping to make to the F.A. Hadley Museum.



Entertaining has been the most exciting and active part of my life for the last few months. The Ellington Jazz Club invited me back for a performance which I will be doing with Mint Jazz Band. The show will feature jazz classics with a dash of contemporary tunes. Mint Jazz Band recorded two new demos in January, a jazz/swing/blues demo and a contemporary music demo. I have placed these on our revamped website. Our recent gig highlights include the New Year’s Eve gig at The Byrneleigh, high octane Saturday night gigs at Wolf Lane, and an outdoor show for the Town of Cambridge’s Music in the Park. I am now taking vocal lessons from another lady whose surname is King but the most inspiring lesson I have had recently came from extraordinary Perth actress and singer Rhoda Lopez who helped me sprinkle some theatre in four of the songs I will perform at The Ellington. To help promote my upcoming gig at the City of Subiaco’s Sunset@Subi local photographer and poet Karen Murphy took some photos of me which are my first ever professional promotional photos. On top of all of this, I also joined the South Perth Lion’s Big Band and performed with them at the Jazz Club of WA, the Scarborough Sportsmen’s Club, and the City of South Perth’s Angelo St. Markets.

Music_in_the_Park_9_2_13 Music in the Park

As you can gather from all of this, I have been a busy and industrious man. Hopefully, in another four months I will have more exciting news to share with you. I am a man who strives for the stars.

Photography by Karen Murphy:

Busy as a Bartender


November has been a big month for me so here’s a quick summary:


My gig at The Ellington with Mint Jazz Band was a success. Around 75 people came to the gig despite stormy weather and many congratulated us on our performance. Our double bassist Malcolm Mah’s creative intros and endings really gave our renditions of familiar classics that little something extra. For instance, our version of “Autumn Leaves” now begins and ends with what sounds like a horror soundtrack. I told a few humorous tales during the show and overall the concert was everything I wanted it to be.

UWA’s School of Pathology and Laboratory Medicine where I work full-time has invited me to publish articles on their website each month. Sentinel chickens is the topic of my first article for that series. I will also be working on the School’s monthly bulletin. In addition, an article I wrote about the New Approaches to Teaching (NATT) team of which I am a part will be published in MeDeFacts later this year.

The Disappearing offered to publish another poem of mine (a sonnet). You can download their app for free on your iPad, iPhone, or other android device. They published a poem of mine about an endangered native snail earlier this year. I also organised for another local poet, Robert Wood, to take over the guest bookings for Perth Poetry Club next year.

Drum Perth continues to publish my CD and live gig reviews (just check out the Freelance Journalist section of this website). The Matchbox Twenty concert with special guests INXS at the new Perth Arena was definitely a concert to remember. This month I was also lucky to experience an excellent theatre production (GRADS production of David Henry Hwang’s “M. Butterfly”) and a formidable show by The Glen Miller Orchestra. Little y Theatre’s misguided production of David Mamet’s “Glen Glengarry Ross” which showed a lack of understanding of the play’s focus on masculinity, age, and class, was the only theatrical misstep of the month.

Believe it or not, I participated in a fashion show competition where I was given a theme (“spring racing”), $300, and an hour to shop! Thank you to everyone who voted for me. I did not win but I had a great time and got to keep the clothes.

Favourite Book this Month: William Maxwell’s novel “So Long, See You Tomorrow.” The memoir-style story of a man reflecting on his boyhood in Illinois after the death of his mother is both moving and memorable. The story focuses on the dissolution of two friendships and the murder of a local farmer.

Tomorrow night I will join Mint Jazz Band in performing at The Wild Fig in Scarborough. We have been booked to play there every Friday until the end of the year. We will be adding some new songs to our shows, particularly the requests we have received so far.

Who knows what I will have to share with you in the next update?!

I Feel A Song Coming On!

Music, rather than poetry, has consumed my life lately. My upcoming gig at The Ellington Jazz Club has been the reason for this (you can see the promotional fliers I had made for the event below). This gig will be one of the most important gigs in my singing career. In preparation, I have been rehearsing regularly with Mint Jazz Band (like our Facebook page if you haven’t already) and attending concerts to inspire me. Mint played its first gig recently at The Wild Fig Café in Scarborough and they liked us so much that we have been booked to play there every Friday night from November 23rd to December 28th! This is really reassuring and exciting for me because it will be the first musical residency I have had since I sung every Sunday at the New Orleans Restaurant in 2009! In terms of concerts that I have attended recently to inspire me, I had the privilege of seeing The Legendary Count Basie Orchestra (read my review in my Freelance Journalist page) and I recently saw the musical “A Chorus Line”. I was really inspired by the characters’ struggles to succeed in the business and I related heavily to some of their experiences. It has definitely assured me that I am not alone in the struggle to be a successful entertainer.

Last Sunday, I attended a vocal workshop master class with Speech Level Singing teacher Greg Enriquez. It was a life-changing experience. Prior to that morning’s class I thought that my vocal range was that of a bass singer. I was astonished to find out from the exemplary vocal coach that I am in fact a leggireo tenor! With his aid, when I relaxed and sang naturally, the sound that came out of my voice was incredible to me. He said I have “a beautiful voice” and after the class a few others came up to me and said the same thing. As a result of this class I now firmly believe that, once I train the upper registers of my voice and work on overcoming the bridges in my voice, I will be able to sing as good as I have always believed I could sing; that is, as good as I have always wanted to sing. To reach my vocal potential will be a dream come true. I am going to start singing lessons very soon. In fact, my first class is this Monday with Chloe King. Wish me luck and come see me at The Ellington or The Wild Fig Café if you can!


Spring News

The Ellington Jazz Club is the classiest and most sophisticated jazz venue in Perth. Since 2009 when the club was established it has been my dream to perform there. My girlfriend Maneera de Mel has made that dream come true. On Sunday 2 November 2012 I, along with my jazz band Mint Jazz Band, will be performing there! Tickets can be purchased here.

Rehearsals for the show at The Ellington as well as another gig with Mint (7-10pm on Friday 12 October at The Wild Fig Café, Scarborough) have started. The set list for those gigs will feature a selection of songs from the repertoires recently published on the Jazz Singer and Funk/Soul/Pop Singer pages of this website. I aim to upload some songs from earlier jazz performances when the chance arises.

Working as an Administrative Officer as part of the New Approaches to Teaching Team for The University of Western Australia’s School of Pathology and Laboratory Medicine has been challenging and exciting. I am currently writing an article about that for MeDeFacts which will be submitted in November this year. In addition, my interview with Damien Leith was recently published by Drum Media Perth who also gave me the opportunity to interview Dennis Mackrel, the musical director of The Legendary Count Basie Orchestra. The Freelance Journalist page of this website will feature these works after they are published.

In terms of the literary arts, I am currently undertaking an online course in Modern and Contemporary American Poetry with The University of Pennsylvania that is available for free through social entrepreneurship company Coursera. I am also looking forward to watching one of my favourite plays, Henrik Ibsen’s play “Ghosts” (1881), with Hanna Scott who studied it with me in Year 12 English Literature, as well as seeing Sarah Kane’s play “Crave” (1998) with my friend Marcus Platt who will be departing Perth for Melbourne soon. Those two friends of mine have been a key part of Jake’s Book Club since I started it last year.

Jake’s Book Club meets once a month to discuss, over drinks and nibbles, a modern classic that is no longer than 250 pages. If you know someone who would love to join our book club direct them to our Facebook page. These are the books of the month that we voted for then read so far:

January: Charles Webb’s The Graduate (1963)
February: Truman Capote’s Summer Crossing (1950)
March: Oscar Wilde’s The Picture of Dorian Gray (1890)
April: Elie Wiesel’s Night (1955)
May: Virginia Woolf’s To The Lighthouse (1927)
June: S. E. Hinton’s The Outsiders (1965)
July: Andre Gide’s The Immoralist (1902)
August: Tennessee Williams’ Cat On A Hot Tin Roof (1958)
September: David Malouf’s Remembering Babylon (1993)
October: John Hersey’s Hiroshima (1946)
November: Ernest Hemmingway’s The Old Man and the Sea (1952)
December: Paulo Coehlo’s The Alchemist (1988)

January: Thomas Pynchon’s The Crying of Lot 49 (1966)
February: Kahlil Gibran’s The Prophet (1923)
March: Franz Kafka’s The Metamorphosis (1915)
April: Tim Winton’s In the Winter Dark (1988)
May: Milan Kundera’s Identity (1999)
June: Bret Easton Elis’s Less Than Zero (1985)
July: Henry James’ The Turn of the Screw (1898)
August: J. M. Coetzee’s Disgrace (1999)
September: Anthony Burgess’ A Clockwork Orange (1962)

I will finish this blog with a haiku I wrote and published earlier this year in the Creative Connections 2012 Anthology that uses spring as its theme:

gold seeds in moist earth

catch light with first leaves: children

clasp bright falling stars

Communal Gathering of Poetry Lovers

The 2012 WA Poetry Festival run by the WA Poets Inc committee began for me Friday afternoon on 17 August 2012. I left work early that afternoon and made my way to The Blue Room Theatre on 53 James Street, Northbridge, where I would run the following workshop as part of the festival’s Poetry Workshop Series:

Poetry and Emotion with Jake Dennis
3pm to 5pm

WA Poets Inc presents local poet Jake Dennis and his workshop, Poetry and Emotion. The workshop begins by reflecting on a selection of poems by poets such as Bruce Dawe and Anne Sexton which focus on serious cultural issues such as domestic violence, racism, and global conflict. The emotive and intellectual power of poetry which protests against such issues is discussed as are the techniques used to create such poems. Participants are then invited to begin creating a new poem that has such culturally significant subject matter at its heart.

In the second part of the workshop participants learn techniques for editing their poems. All participants are therefore invited to bring a poem to the class for workshopping. It is suggested that a few copies of the poem be brought so that can everyone contribute to the constructive critical discussion.

In a black shirt and suit I entered the Kaos Room to find the five participants: Karen Murphy, Gary de Piazzi, Clayton Lin, Kate Wilson, and Liz, a new local poet none of us had previously met. The atmosphere was supportive, encouraging, and friendly, and each participant had an opportunity to generate a new poem using the techniques discussed in the workshop as well as receive constructive feedback on a poem they prepared for the workshop. As part of the workshop, which included a detailed discussion of Anne Sexton’s anti-Vietnam war poem “The Firebombers” and Bruce Dawe’s poem about domestic violence “The Blue Dress,” participants received “A Checklist for Editing Your Poems”; a detailed hand out I prepared for the workshop. The workshop went well and it was great to hear everyone’s poetry covering issues such as threatened species of wildlife, recent bushfires, and depression. We may meet again soon for further poetry workshopping. That night I reviewed a Hilltop Hoods concert at Challenge Stadium for Drum Perth [see Freelance Journalism page for the review] so was unable to attend the festival launch but I heard that the night was a success.


The following day I was a part of what was one of the fondest moments for me from the 2012 WA Poetry Festival: The Poets Lunch. Held in the sunlit room at the back of the Moon Café where the Perth Poetry Club meets each Saturday, the Poets Lunch consisted of short poetry readings from festival guests such as Tineke Van Der Eecken, Kevin Gillam, Kate Wilson, and myself. The photographs you see, taken by WAPI treasurer Gary de Piazzi who chaired the event, are from that reading.


What distinguished this reading from others I had been to in the past was that the poets read their poetry without microphones, standing wherever they decided was best, while the audience gathered in closely to hear their words. This stage choice along with the way Gary de Piazzi chaired the event by going from one poet to the next with brief interludes of other poet’s and his own poetry, made the event feel a communal gathering of poetry lovers and friends. Belgium born Tineke Van Der Eecken’s poem which was inspired by the Edith Piaf classic “Non, Je Ne Regrette Rien” and Indigenous actor Maitland Schnaars’s reading of his poem “The Lost Children” while cellist and poet Kevin Gillam played a haunting accompaniment, were personal standouts for me.

Immediately after that event one of the most packed Perth Poetry Club gigs that I have ever witnessed began. The featured guests were Steve Smart (double feature), the WAPI Committee, and I. My beautiful girlfriend Maneera de Mel had arrived to come see me read so I was ecstatic. The photographs shown below were taken by WAPI treasurer and friend Gary de Piazzi during this reading. What I enjoyed most about doing my featured spot was the way the audience of listeners, most of whom I knew but many of whom were new to me, sat hushed then applauded after each poem concluded. Steve Smart’s lyrical poetry read in a Southern American accent as well as Karen Murphy’s poem which showed the influence of Sylvia Plath were highlights of this event for me.

That night, at the industrial Artifactory in Osborne Park, Karen Murphy, Benjamin Lowry, Mar Bucknell, and I attended the Phonics, Sonics, and Electronics and shortened Festival Kick-Up event. As a musician whose favourite artists include Judy Garland, Whitney Houston, Billie Holiday, Nina Simone, and Frente (among others), the soundscapes and “noise music” did not appeal to me. However, I enjoyed having time to chat with Melbourne poet Steve Smart and local poet Zan Ross as well as hearing ACR’s deconstructionist poem about sex which consists of an almost endless list of words into which the word “sex” is fused. I was also grateful for the appreciation shown particularly by performance poet and friend Splodge during my a cappella performance of Michael Jackson’s “Who’s Loving You?” which I may record for YouTube one day.

Musician friend Marcus Macadi attended the Poetry Readings at Crows Books held the following afternoon in East Victoria Park. It was my first time at the amazing bookstore which has an admirable selection of art, poetry, and theatre books. Crows Books – much like Planet bookstore in Mount Lawley and, to a lesser extent, Oxford St Books in Leederville – is one of the few specialty new books shops in Perth that devotes a significant proportion of shelf space to plays, poetry, and art (I could not leave without purchasing Kate Mulvany’s incredible play “The Web”; a play which I have been dying to own a copy since I saw it performed live in 2009). However, more commendable was the fact that the bookstore was hosting a poetry reading organised by WAPI for which the guests were Bunbury performance poet Kate Wilson, Perth poet and cellist Kevin Gillam, Irish poet and songwriter Andy White, multilingual poet Tineke Van Der Eecken, and Anglo-Burmese second-generation migrant Jake Dennis. Kate Wilson’s poem about romance inspired by working at Office Works, Kevin Gillam’s poem written to save a Morton Bay Fig from council bulldozers, Andy White’s poem about an unknown attractive girl at a bar, and Tineke Van Der Eecken’s poem inspired by Belgian singer-songwriter Jacques Brel’s song “Ne Me Quitte Pas” (Nina Simone and Barbara Streisand recorded extraordinary covers versions of this heartbreaking song) were all unforgettable performances. In memory of my friend Alex Dennis who was murdered earlier this month I chose to read mostly poems about death so my reading may have been too on the heavy side but Marcus Macadi whose songs I admire said he enjoyed them. 


At the PICA (Perth Institute of Contemporary Arts) Bar the next evening I was pleasantly astounded to discover a large crowd chatting, drinking, and listening to poetry from 9:30pm til midnight on a Monday night in Perth! The venue, with its windows that open out onto the street where local passersby can hear a taste of the festivities inside, was perfect for the final poetry event of the 2012 WA Poetry Festival. Kate Wilson’s arresting and animated performance poetry, Andy White’s rocking original songs, and Steve Smart’s charismatic and amiable hosting of the event were highlights of the night for me. Additionally, it was an honour to see poet and friend Jackson listening to my poetry from the back of the room even after the interval before which there had been a particularly excruciating performance which turned away many guests. After my reading, fellow Curtin University graduate Shane Cartledge read some promising poetry, the bar manager read a spontaneous poem which drew on Edgar Allen Poe’s “The Raven” and announced the call for last drinks, and hip-hop emcee DVS helped close the night with an on-the-spot performance piece with dynamic performance poet Splodge that drew on Flora Smith’s poem “Addicted” from the recently published Creatrix Anthology.

In the final moments of the 2012 WA Poetry Festival WAPI committee member and poet Chris Arnold brought to the stage WAPI committee members Gary de Piazzi, Mar Bucknell, and Karen Murphy to give them, on behalf of everyone who enjoyed this year’s festival, heartfelt thanks for the tremendous effort they voluntarily devoted to organising the festival. The applause, gratitude expressed, and enjoyment had throughout the four-day festival, remains a testament to the effort the WAPI committee put in to create what was the best and probably most successful poetry festivals I have ever experienced. I am definitely looking forward to next year’s festival!

2012 WA Poetry Festival

This year I was lucky enough to be invited to be a guest poet at the 2012 WA Poetry Festival which begins this Friday 17th August 2012. The event is run by WA Poets Inc and this year was coordinated by my poet friend Karen Murphy. The other guests chosen for the festival include Kate Wilson, Kevin Gillam, Andy White, Steve Smart, Maitland Schnaars, and Tineke Van Der Eecken. You can find out more about them here.

The following list of events are those in which I am directly involved:

Poetry & Emotion Workshop
Kaos Room: Blue Room Theatre
53 James Street
Northbridge 6003
Friday 17th August 2012

Festival Launch
PICA Bar (Perth Institute of Contemporary Arts)
51 James Street
Northbridge 6003
Friday 17th August 2012                                                                                        

Poets Lunch
The Moon Café
2/323 William Street
Northbridge 6003
Saturday 18th August 2012

Perth Poetry Club Feature
The Moon Café
2/323 William Street
Northbridge 6003
Saturday 18th August 2012

Poetry Reading
Crow Books
900 Albany Hwy
East Victoria Park
Sunday 19th August2012

Young Poets
Perth Institute of Contemporary Arts
51 James Street
Perth WA 6000

For a full description of those events and other WA Poetry Festival events click here.

Last week I had the good fortune of being featured in three local Community Newspapers: the Southern Gazette, the Stirling Times, and the Eastern Reporter. The interview was organised for me by my poet friend Sue Clennell who is also part of the WA Poets Inc committee which continue to work hard at promoting poetry in WA. If you have time, check out two of the articles from the newspapers in this post.

See you at the WA Poetry Festival!


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